“Music for Abolition,” directed and curated by Terri Lyne Carrington,
brings together musicians from across a variety of genres to create a soundtrack—and provide a heartbeat—to our shared struggle for abolition.
Expressing grief, rage, exhaustion, and resolution in the face of the history of racism and oppression in the United States, the music resonates with calls of freedom.
Terri Lyne Carrington and Social Science Pray
Terri Lyne Carrington and Lisa Fischer
Us n’ We
Us n' We examines the issues of isolation, mental illness, grieving, profiling,
love, freedom—and their relationship to incarceration.
Composed, performed and filmed by Terri Lyne Carrington and Lisa Fischer
Edited by “Yo V” (Vilho Louhivuori)
Kris Davis, Val Jeanty, and Lily Finnegan
"Sleepwalkers" act in mindlessness—prison guards enforce. How do we imagine a society
that breaks away from what we are told is possible? Free of sleepwalkers and prison guards? Imagination is a
element of abolition. This piece was inspired by the words of Robin D.G. Kelley and Jackie Wang.
Composed by Kris Davis
Performed by Kris Davis, piano
Electronic Percussions by Val Jeanty
Spoken Narration by Lily Finnegan
Sound Design and Production by Terri Lyne Carrington
Video Editing by Vilho Louhivuori
Maimouna Yousef (aka “Mumu Fresh”) and Queen Cora Coleman
Can You Imagine
“Can You Imagine” is a collaborative work between Mumu Fresh and Queen Cora that shares an in depth journey of a young boy who fell victim to the highest expression of insecurity through White Supremacy.
This young man would later become the father of Mumu Fresh. “Can You Imagine”,
a piece that shares the hope of new perspective, encapsulates a vision of life without the need for bondage and incarceration and where LOVE and IMAGINATION serve as the primary expression of human engagement.
Lyrics by Maimouna Yousef, aka “Mumu Fresh”
Poetry and Music Production Queen Cora Coleman
Mastered by Carlos Garza
Filming of Mumu Fresh by Anshia Crooms
Filming of Queen Cora by Sudari Scott
Freedom Is No Fear
As a Black American,
when I think about abolition, my mind immediately goes to music as being the first means of crafting our liberation, post-colonization.
When we were not allowed to speak our native tongues, we created a new language in the Blues.
In this piece, we use sound and visuals as a means of recalling a lineage in which our traumas are not commodified for entertainment or media fodder.
We use repetition to help break through the mental fog of false constructs like racism and sexism.
Throughout the composition, our ancestor Nina Simone is heard reminding us that, ‘Freedom is no fear.’
To me, abolition is more than just visualizing a future in which we are free, but that freedom is now, and it starts in the mind. ~Nicholas Payton
Directed and Edited by Nicholas Payton
Trumpet, Keyboards, Bass by Nicholas Payton
Looper and Drum Machine by Sasha Masakowski
Live Music Video Directing by Rob Davis
Live Music Camera by Sarah Rochis
Visual Effects by Antoine Staib
Jason Moran and Kyle Abraham
ONLY THE SHADOW KNOWS (HONEY) / RIOT
This piece aims to highlight the pace at which abolition occurs.
It lasts longer than a moment, more than a lifetime, spanning generations of seekers.
Choreographer Kyle Abraham puts the moving body in front of us, because it is the most important part of actualizing our vision of abolition.
The body changes shape, struggling to set a tempo for a ‘movement.’
Frederick Douglass also does this by frequently posing in front of a camera.
These images become chapters. By documenting his existence, he becomes the most photographed man of his time, verifying his body and mind.
The dance verifies the body in the moment, responding to the sound.
When we feel we are static, much energy is stirring for the next gesture, to give the smoke a shadow.
Composed by Jason Moran
Piano by Jason Moran
Choreography by Kyle Abraham
Dance performance by Claude “CJ" Johnson
Camera by Ashli Bickford
Additional Film Editing by Dan Scully
Filmed at Kaatsbaan Cultural Park
Archival Footage of Newark Riots of 1967
As a society we have been conditioned to be creatures of comfort.
We artificially sweeten inconvenient truths to make us feel good.
We hold onto lies to make us feel right.
Imagine a society where we all feast on love and nurture each other in a way that uplifts every individual's inner light.
Composed, Recorded, and Shot by Malcolm-Jamal Warner
Edited by Nathan Anderson
Cécile McLorin Salvant
YOU OUGHT TO BE ASHAMED/EXPANSE
Some of us have been dreaming of
Some of us have been slowly making plans
A place where we can stretch our toes
The kind of vastness where a body doesn’t know
Which way to go
“You Ought To Be Ashamed” - Music and Lyrics by Porter Grainger
“Expanse” - Music and Lyrics by Cécile McLorin Salvant
Voice, Piano, Animation, and Editing by Cécile McLorin Salvant
4 Photographs courtesy of Library of Congress Free to use and reuse sets
Nicole Mitchell Gantt
Abolition Think Tank
“Abolition Think Tank” is a shared exploration of concrete steps needed to move past our present punitive culture,
led by three incarceration veterans, Sadiq Davis, Richard Garland and James Badue-El,
who actively work to facilitate positive societal re-entry for others.
Film, Music and Editing by Nicole Mitchell Gantt
Spoken Word by Sadiq Davis, Richard Garland and James Badue-El
Photographs by Chris Benson, Library of Congress, Eye for Ebony, Nicole Mitchell Gantt, Unseen
Histories, Trust Tru Katsan, Kayle Kaupange, Glodi Miessi, Humphrey Mule, Andrae Ricketts, Jon
Sarah Elizabeth Charles
“Blind Emotions” is an original composition inspired by my teaching artist work at
Sing Sing Correctional Facility in Ossining, NY.
Through this work, I have learned more about myself and the creative process than ever before,
and have also clearly seen the way in which music can humanize any and every experience,
even in those settings that attempt to dehumanize the most.
“Blind Emotions” is dedicated to all the artists on the inside who I have learned from and grown with.
It is a testament to the possibilities in each of us to look beyond our own inherent bias,
to see all human beings as deserving of true restorative justice and to consider all of the intersectional societal factors at play in any given situation.
It is a call for us to reimagine our carceral spaces and expand our imaginations. ~Sarah Elizabeth Charles
Written, Performed and Edited by Sarah Elizabeth Charles
Filmed by Sarah Elizabeth Charles & Inner World Films
Orrin Evans and Eric Revis
A song authorities claim was taught to children during Black Panther breakfast programs,
which included the verse, ‘Oink oink, bang bang, dead pig,’ was released yesterday by police.
LAPD Sergeant Dan Cook said the song was sung to officers by five children
who were sprayed with a tear gas grenade they found at a Black Panther building and accidentally triggered.
Cook said the reference to officers as ‘pigs’ in the song was understood by the children.
Part of the song, according to Cook, went like this:
‘No more sisters in jail. Off the pig!
No more brothers in jail. Off the pig!
The revolution has come. Off the pig!
Time to pick up your gun. Off the pig!
Put the pigs on the run. Off the pig!’
Cook said the children were taught to march to another verse:
‘Piggly Wiggly, you gotta go now.
Oink oink, bang bang, dead Pig.’
A canister was found in a box of clothes in a garage where the
Panthers conduct their free breakfast program for children.
The boy accidentally pulled the pin on the grenade and sprayed himself, his two brothers, and two sisters.
They were treated at Central Receiving Hospital for minor eye irritations and released.
Cook said no arrests were made in the tear gas incident but an investigation was being conducted.
Written, Composed, and Performed by Orrin Evans and Eric Revis
Chief Christian Scott aTunde Adjuah
I first learned of abolitionism and activism through my grandfather, the late Big Chief Donald Harrison Sr.
The only man to lead four nations of the Black Tribes of New Orleans,
Louisiana (regionally referred to as Black Indians).
These maroon clans have stood in open opposition to the injustices of this land since the first decade of the 1700s.
I often find myself looking to the lessons of my childhood for guidance, and deeper understanding of what has happened before.
As chief carrying on this fight, our fight, his fight, their fight, is a mandate that cannot be ignored.
He taught us that the ire of the fight for liberty in this land was rooted in those unwilling to yield to the shadow of injustice.
That this fight is also the fight of all those within you, and most importantly, those who would become. Those whom your actions will inspire.
"Incarnation" was written to offer reverence to those who waged this fight before us.
The countless volumes of liberators who now speak through you and I.
As we continue to endeavor this country into light, it is paramount that we do so tethered to the force and energy of their lifetimes and sacrifices,
pulling every fathomable resource rooted in light to our cause in ending the campaigns of hate and fear once and for all.
With gratitude, Xian AdjuahWith gratitude
Adjuah Trumpet by Chief Christian Scott aTunde Adjuah
All Parts by Sonic Architecture
All Parts by Sogo, Atsimevu, Kaganu, Kroboto, Kidi, Gankogui, Fontomfrom Antunpan, Apentemma, Petia, Donno, Kenkeni, Sangban, Doundoun
Samora & Elena Pinderhughes
Cages are no place for any being. Abolish prisons. Abolish ICE. Abolish Borders.
Lyrics, Editing, and Wurlitzer by Samora Pinderhughes
Vocals by Samora & Elena Pinderhughes
Flute by Elena Pinderhughes
Strings by Argus Quartet
Guitar by Brad Allen Williams
Electric Bass Boom Bishop
Alto Saxophone by Immanuel Wilkins
Tenor Saxophone by Lucas Pino
Filming of Samora by Christian Padron & Sammy Suh
Filming of Elena by Akintunde Ahmad
Take my love
Take my hand
Take my blood
Take my land
Take my mind
Take my belief
Take my voice
Take my grief
We’re only human
We’re walking wounded
With God abundant
We’ll travel through this
"For Trayvon" examines the intersections between freedom and death, international fame and Black anonymity.
Following in the footsteps of spiritual/artistic ancestors and expatriates James Baldwin, Nina Simone, Dexter Gordon and Marvin Gaye,
James documents his mental and emotional anxieties while healing in Amsterdam from the realities of racism and oppression against the Black
community in America.
‘Freeing yourself was one thing, claiming ownership of that freed self was another.’ ~Toni Morrison, Beloved
Vocals and Performance by José James
Piano by Gideon van Gelder
Directed, Produced, and Edited by Lyon Pol
Cinematography by David van der Drift
Gaffer by Dirk Zijlstra
1st Assistant Camera by Noa Kosanović
2nd Assistant Camera by Iri Pauwels
Production Assistant - Sam Luitwieler
Coloring by Luke Osborne
Mixed and recorded by Vincent Helbers at Flowrider Studio Amsterdam
Assistant Engineers - Tjerk Lammers, Anis Oopkes
Dianne Reeves and Camila Contina Bello
"Unspoken Voices" is a
call to reimagine a reality that needs a change.
With an intimate and introspective tone, these voices unfold a powerful inviting message to openness, dialogue, and a much needed change in order to build a better future.
“Unspoken Voices” is a hymn of love, a chant for unification, and a prayer for justice, as
we believe this is the most powerful way to create the opportunities and the necessary social
transformation that we dream to be accountable for. ~Camila Cortina Bello
This winter season,
covered in massive drifts of white and a sky of endless grey, represents the construct that
White Supremacy is held in unrelentingly.
While the extreme cold is absent of forgiveness
and redemption it holds a palpable reflection of the prison industrial complex.
Yet, above the clouds and below the surface,
there is a bold collective conscienceless of
humanity—in all its color.
Unity, power, and urgency
reimagines the energy needed in the dismantling of this brutal seasons system with diligence and
The wordless music of the powerful and moving composition “Unspoken Voices,”
written by Camila Cortina Bello, in spirit is reminiscent of the hymns of our
ancestors, which gave us strength, endurance, and affirmations for the movement forward. ~Dianne Reeves
Vocals by Dianne Reeves
Composed and Piano by Camila Cortina Bello
Bass and Audio Mixing by Gerson Lazo-Quiroga
Video Editing by Vilho Louhivuori
Terri Lyne Carrington and Social Science
Where is the love?
Open your heart.
Where is the love?
Open your heart.
Where is the love?
Please believe, capacity lives within us to imagine something different
Where everyone has what they need and is cared for.Love’s the answer—hold the question
Can you imagine turning the dreams, of our brethren into our own. Imagine…
Let’s open our minds to
A place with no time
Open our minds
To love that we’ll find
Treated in kind
Where is the regard for all of humanity? It’s hiding in the trenches
With all of the progress we’ve navigated
How have we not seen the most basic
Truth that we’re all connected and no one is free until all of us are free?
Where is the love?
Open our hearts.
Where is the love?
Open our hearts.
Written by Morgan Guerin and Terri Lyne Carrington
Mixed by Dean Albak
Video edited by Vilho Louhivuori
Guitar by Matthew Stevens
Keyboards by Aaron Parks
Bass and Synthesizer by Morgan Guerin
MC DJ by Kassa Overall
Drums by Terri Lyne Carrington
Three-time Grammy Award-winning drummer, producer, educator and activist, Terri Lyne
Carrington started her professional career as a “kid wonder” while studying under a full scholarship at Berklee College of Music in Boston.
In the mid '80’s she worked as an in-demand drummer in New York before gaining
national recognition on late night TV as the house drummer for both the Arsenio Hall Show and
In 1989, Ms. Carrington released a Grammy-nominated debut CD on Verve Forecast, Real Life
toured extensively with Wayne Shorter and Herbie Hancock, among others. In 2011 she released the
Grammy Award-winning album, The Mosaic Project, featuring a cast of all-star women
vocalists, and in 2013 she released Money Jungle: Provocative in Blue, which also
establishing her as the first woman ever to win in the Best Jazz Instrumental Album category.
To date, Ms. Carrington has performed on over 100 recordings and has worked extensively with
luminary artists such as Al Jarreau, Stan Getz, Woody Shaw, Clark Terry, Cassandra Wilson, Dianne Reeves, James Moody, Yellowjackets, Esperanza Spalding, and many more.
Additionally, Ms. Carrington is an honorary doctorate recipient from Berklee, and currently serves as
Founder and Artistic Director for the Berklee Institute of Jazz and Gender Justice.
In 2019 Ms. Carrington was granted the Doris Duke Artist Award, a prestigious acknowledgement
in recognition of her past and ongoing contributions to jazz music.
Her current band project, Terri Lyne Carrington and Social Science (a collaboration with Aaron Parks and
Matthew Stevens), released their debut album, Waiting Game, in November, 2019 on Motema Music.
Lisa Fischer is a two-time Grammy Award-winning singer-songwriter with a
career as a
first-call background singer who has toured with Luther Vandross, The Rolling Stones, Sting,
Turner, Nine Inch Nails, and countless others.
Lisa earned her first Grammy Award as a solo artist in the Best R&B Performance category for the
single, “How Can I Ease the Pain.”
She is featured on seminal projects by Lang Lang, Yo-Yo Ma, Billy Child,
has collaborated with the Alonzo LINES Ballet, and has a lead role in the Oscar-winning documentary
20 Feet From Stardom.
Pianist-composer Kris Davis was voted pianist of the year in the 2020
Downbeat Critics Poll and in the 2019 Jazz
Times Critics Poll.
She won both composer and pianist of the year in 2020 by the Jazz Journalists Association. The New York Times dubbed her as one of the music’s top up-and-comers saying:
‘One method for deciding where to hear jazz on a given night has been to track down the pianist Kris Davis.’
To date, Davis has released twelve recordings as a leader.
Her newest release, Diatom Ribbons was
voted number one jazz album of 2019 by The New York Times and NPR, among others. Davis works as a collaborator and side person with artists such as John Zorn,
Terri Lyne Carrington, Craig Taborn,
Tyshawn Sorey, Eric Revis, Johnathan Blake, Michael Formanek, Tony Malaby, Ingrid Laubrock, Mary Halvorson and
Tom Rainey. Davis received a Doris Duke Impact award in 2015 and multiple commissions to
compose new works from The Shifting Foundation, The Jazz Gallery/Jerome Foundation and the Canada
Council for the Arts.
She is currently the Associate Director for the Berklee Institute of Jazz and Gender Justice and
own music label, Pyroclastic Records.
Haitian electronic music composer/percussionist/turntablist, Val Jeanty evokes
realms of the creative subconscious. She incorporates her African Haitian Musical traditions
present and beyond, combining acoustics with electronics and the archaic with the post-modern.
"Afro-Electronica" installations have been showcased in New York City at the Whitney Museum, the
of Modern Art, the Brooklyn Academy of Music, the Village Vanguard and internationally at
Music Festival in Austria, Stanser Musiktage in Switzerland, Jazz à la Villette in France, and
Biennale Di Venezia Museum in Italy. She currently teaches at Berklee college of Music.
Lily Finnegan strives to push boundaries and not adhere to labels.
For her, music is about imagination and envisioning the world she wants to live in.
Through growing up in a music loving household, drums became her focus and main vehicle of expression.
She graduated with a Bachelor of Arts degree from the University of Wisconsin-Madison in May 2020,
where she majored in Jazz Performance and Sociology.
Now she is part of the Masters program at the Global Jazz Institute through Berklee College of Music.
She has played with a variety of musicians and bands spanning many styles, such as free improvisation,
jazz, punk and experimental music.
Cora C. Coleman, better known as “Queen Cora,” is an author, producer, business owner,
and international drummer. Her showmanship is recognized as inspiring, passionate and explosive. Throughout her music career, she has performed in 40 countries,
before hundreds of thousands of attendees and millions of viewers.
In addition to her 5-year tenure with Prince and 3-year tenure with Beyoncé,
she is the only musician to play in two of the United States NFL’s Top
10 Best Super Bowl Half-Time Shows with both artists. Queen Cora graduated
valedictorian of Kashmere High School (Houston, Texas, USA) and received her Bachelor of Fine Arts Degree
in Music Performance at Howard University in Washington, D.C., U.S.A.
Maimouna Youssef, also known as Mumu Fresh, is a
Grammy-nominated singer, MC, songwriter, activist, and hip-hop artist.
In 2018, Youssef was awarded the post of Musical Ambassador for the United States and traveled to Central America to support the rights of young women.
Her stage shows have been described as unique and spiritual experiences, captivating audiences in world-famous venues such as Lincoln Center,
Carnegie Hall, the Kennedy Center, and many more.
As a leading voice in American popular music, the Grammy Award-winning Nicholas
Payton is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social activist who defies musical and artistic categories.
All the while, he honors the tradition of what he terms ‘postmodern New Orleans music,’
as well as the spirit of Black American Music, of which he states, ‘There are no fields, per se.
There are lineages.’
Payton has released over 20 recordings as a leader, pushing musical boundaries and showcasing a variety of contemporary and traditional styles, while displaying his ambidextrous ability to play both the trumpet and keyboard at the same time when he’s inspired to do so.
He has collaborated with numerous mentors and contemporaries alike, ranging from
Common and Cassandra Wilson to Trey Anastasio, MonoNeon, and Jill Scott, to Dr. John, Joseph “Zigaboo” Modeliste of The Meters, Allen Toussaint, and Abbey Lincoln to name a few.
His most recent albums are
Quarantined with Nick and Maestro Rhythm King, both released in
2020. In addition
to Payton’s work as a performer, he is an equally respected composer, having written
an orchestral work which the Czech National Symphony Orchestra commissioned and
performed. Payton's seminal writings and discussions on the problematics of the
and associations of ‘jazz’ have inspired musicians, researchers, music listeners, and thinkers alike.
Jazz pianist, composer, and artist Jason Moran is the Artistic Director for Jazz at
The Kennedy Center, has recorded 16 solo albums, and was named a MacArthur Fellow in 2010.
His trio The Bandwagon has produced a profound discography for Blue Note Records and Yes Records;
a label he co-owns. He has collaborated with major art world figures such as Adrian Piper, Glenn Ligon, Kara Walker, and many more. His touring exhibition, JASON MORAN, began at the Walker Art Center and continued to
the Wexner Center and Whitney Museum. Moran has composed scores for Alonzo King's Lines Ballet
Company, Ronald K. Brown's Evidence Dance Company, Ava Duvernay's Selma, The 13th, and both
and HBO film adaptation of Ta-Nehisi Coates' Between the World and Me.
Kyle Abraham is a
2013 MacArthur Fellow, 2016 Doris Duke recipient, 2018 Princess Grace Statue Award recipient, and Lincoln Center
Education Artist in Residence. He has recently been featured in
Oprah Magazine, Kinfolk, and Vogue Italia.
Mr. Abraham is the founding Artistic Director of A.I.M., an
American contemporary dance company, created in honor of his history, experiences and artistic interests.
In addition to performing and developing new works for A.I.M. in 2019, he also choreographed and premiered The Bystander for Hubbard Street
Dance Chicago, Only The
Lonely for Paul
Taylor American Modern Dance Company and Ash, a new solo work for American Ballet Theater
Misty Copeland to rave reviews.
Malcolm-Jamal Warner is a well-respected Emmy-nominated actor,
Grammy-Award winning poet, musician, and activist.
Though most known for his iconic role on the celebrated "The Cosby Show,"
Malcolm successfully navigated his way through teen stardom to become known in the entertainment business for not only his seasoned acting talents,
but also his accomplishments on the music, directing, and producing fronts, making him one of the most accomplished talents in the industry today.
A staple on the stage, television, and film for over 30 years, and now on his 10th television series,
"The Resident," (on Fox/HULU), Malcolm has been able to gracefully sustain longevity in an industry fraught with uncertainty and instability.
Cécile McLorin Salvant, is a composer, singer, and visual artist.
Salvant has a passion for storytelling and finding connections between vaudeville, blues, folk traditions from around the world, theater, jazz, and baroque music.
Salvant won the Thelonious
Monk competition in 2010, has received Grammy Awards for Best Jazz Vocal Album for her 3 latest albums, The Window , Dreams and Daggers , and For One To Love . In 2020, Salvant received the MacArthur fellowship and the Doris Duke Artist Award. Salvant’s latest work, Ogresse, is a musical fable in the form of a cantata that blends genres (folk, baroque, jazz, country) and is in development to become an animated feature-length film,
which Salvant will direct.
Salvant also makes large-scale textile drawings which can now be found at Picture Room in Brooklyn, NY.
Nicole Mitchell is an award-winning flutist, composer, bandleader, and educator whose research centers on the legacy of contemporary African American culture.
Mitchell served as the first women president of the Association for the Advancement of Creative Musicians (AACM).
Mitchell has repeatedly been awarded #1 Jazz Flutist by Downbeat Magazine and the
Jazz Journalists Association from 2010-2020.
critically acclaimed Black Earth Ensemble (BEE) has been her primary compositional laboratory, with
which she has performed internationally. She has composed works for the French Ministry of Culture,
Museum of Contemporary Art Chicago, and the Newport Jazz Festival, to name a few. Mitchell is a
professor of music, the William S. Dietrich II Endowed Chair in Jazz Studies and the Director of
Studies at University of Pittsburgh.
Sarah Elizabeth Charles is a vocalist based in New York City.
She works with artists such as Christian Scott and Sheila Jordan, and has released three critically acclaimed albums with her band, SCOPE.
Charles has performed at venues including The White House and Carnegie Hall, and had a commissioned composition performed at The National Gallery in Washington D.C.
Charles teaches at Carnegie Hall’s Sing Sing Correctional Facility and has developed a music education program with Rise2Shine, a non-profit organization based in Fond Parisien,
Haiti. She is the recipient of Yale School of Music's Distinguished Teaching Artist Award, the New York City Women's Fund grant, and more.
One can only look to the future for more unique music from this one of a kind artist.
Pianist/composer Orrin Evans has always charted a vigorously individual path, and has 25 albums to his credit.
While remaining rooted in the blues and bop tradition, Evans’ influences range from soul-jazz to the avant-garde, R&B to rock. Evans has
worked with many musicians including Bobby Watson, Ralph Peterson,
Christian McBride, Eric Revis, and many more.
He has also worked with poets Sonia Sanchez and Amiri Baraka,
created multimedia projects with dancers and videographers and composed the soundtrack for the PBS documentary Revolution ’67 and suites commissioned by
Lincoln Center and the Metropolitan Museum of Art.
As a producer, Evans has helped capture the
electricity of peers and up-and-coming artists while imbuing other musicians’ projects with his own
Grammy Award-winning bassist and composer Eric Revis courts a stubborn infatuation
with exploration. Following an apprenticeship with Betty Carter, Eric has
collaborated with would enter an ongoing association with Branford Marsalis, and collaborate with such distinctive voices as Peter Brötzmann, Jeff “Tain” Watts,
Kris Davis, and many more.
He co-founded Tarbaby, alongside Orrin Evans and Nasheet Waits, as well as Options, featuring Waits and Bennie Maupin. In 2020, the prolific composer
issued Slipknots Through a Looking Glass, his first release on Pyroclastic Records. Earning
stars from DownBeat and the number-three spot on NPR Music’s 2020 Jazz Critics Poll, the quintet
recording received praise from The New York Times, JazzTimes and Rolling
Stone and features Davis,
Bill McHenry, Darius Jones and Chad Taylor.
Chief Christian Scott aTunde Adjuah is a two-time Edison Award winning and five-time
Grammy Award-nominated sonic architect, composer, producer, Stretch Music record label and app company
founder, and crowned Chieftain of the Xodokan Nation of the
Black Tribes of New Orleans.
Adjuah has released thirteen critically acclaimed studio recordings, three live albums and one greatest hits collection. Adjuah has worked with many notable artists,
including Prince, Radiohead’s Thom Yorke, McCoy Tyner, Marcus Miller, and more.
Additionally, through his partnership with Adam’s Instruments,
Adjuah has designed a signature line of horns that are revolutionizing brass instrument design all over the world. Since Adjuah’s emergence on the jazz music scene,
he has been a passionate and vocal proponent of human rights and an unflinching critic of injustices throughout the world.
Elena Ayodele Pinderhughes is an award winning flutist, vocalist, composer, and arts educator.
She has composed, performed, recorded, and toured with Herbie Hancock, Christian Scott aTunde Adjuah, Josh Groban, Future, and others.
She is currently working on her debut album, which showcases her unique voice, flute playing, and compositional style. Elena’s experiences as a young woman of color in the arts inspired her to create the Girls
Empowerment Through the Arts (GETA) program. Elena has won numerous awards including: “best soloist” at festivals and from Downbeat magazine, is a
recipient, and U.S. Presidential Scholar in the Arts. She has performed in numerous venues,
Carnegie Hall, the White House, the Kennedy Center, and internationally in jazz festivals and clubs.
Samora Abayomi Pinderhughes is a composer, pianist and vocalist known for multidisciplinary
projects which use music to examine sociopolitical issues. He has performed at the Kennedy Center, Sundance Film Festival, Carnegie Hall, and MoMA, and internationally.
He is the first-ever Art for Justice + Soros Justice Fellow, in support of
his upcoming The Healing Project, and a 2019 Creative Capital
is director and creator of The Transformations Suite, which combines music, theater, and
examine the radical history of resistance within the communities of the African Diaspora. He has
collaborated with Common, Herbie Hancock, Glenn Ligon, Sara Bareilles, and others, and he was
artist-in-residence at Joe’s Pub / The Public Theater. A Sundance Composers Lab fellow, Mr.
scored the award-winning documentary Whose Streets? and the Field of Vision film
José James artfully blurs the lines between traditional and contemporary jazz,
funk, pop and rock. He has released 10 critically-acclaimed albums for labels such as
Brownswood, Impulse, Blue Note and his own co-founded Rainbow Blonde Records, and is the
recipient of both the Edison Award and L'Académie du Jazz Grand Prix. James has collaborated
with artists such as Flying Lotus, Robert Glasper, Lalah Hathaway, and more. An international
performer, James has presented his work at venues such as The Kennedy Center, Hollywood Bowl,
Ancienne Belgique, and Billboard Live Tokyo, and has performed as a guest artist with McCoy
Tyner, Laura Mvula and the Jazz at Lincoln Center, Melbourne Symphony and Royal Concertgebouw
Orchestras. He is currently artist-in-residence at the Conservatorium van Amsterdam.
Five-time Grammy winner Dianne Reeves is the pre-eminent jazz vocalist in the world. Reeves has recorded with Wynton Marsalis,
the Lincoln Center Jazz Orchestra, the Chicago Symphony Orchestra, and was a featured soloist with Sir Simon Rattle and the Berlin Philharmonic.
Reeves was the first Creative Chair for Jazz for the Los Angeles Philharmonic, she has performed at the Walt Disney Concert Hall, the White House,
and internationally. Reeves’ most recent release Beautiful
features Gregory Porter, Robert Glasper, Lalah Hathaway, and Esperanza Spalding. Reeves is the
recipient of honorary doctorates from the Berklee College of Music and the Juilliard School. In 2018
the National Endowment for the Arts designated Reeves a Jazz Master – the highest honor the United
States bestows on jazz artists.
Camila Cortina Bello is a pianist, educator, musicologist and composer from Cuba.
First Prize in Jojazz Contest in the category of jazz composition and has performed
internationally at Bali Jazz Festival, Singjazz 2017, and more. She received the Berklee World
Tour full-tuition Scholarship and has since performed in the Next Generation Jazz Festival in
Monterrey with Sheila del Bosque's Trio, and at Dizzy’s Club in NYC led by acclaimed jazz
pianist Kris Davis. She is part of the Berklee Jazz Gender Justice Institute and has
collaborated as an orchestrator in productions like Aida Cuevas meets Berklee and
. In 2020, she received the Duke Ellington Award from the Berklee Jazz composition
department and the Pianist/Composer award from the piano department.
New York City-based multi-instrumentalist Morgan Guerin is a talented producer and engineer, skilled in several instruments
including bass, saxophones, electronic wind instrument (EWI), drums, and keys.
Notable collaborators include drummer Terri Lyne Carrington, bassist Esperanza Spalding,
and multi-instrumentalist Tyshawn Sorey. Dubbed a “wunderkind saxophonist and multi-instrumentalist” by
The New York Times, Guerin studied music at the prestigious Berklee College of Music and The New
School. In 2016, the Huffington Post named his debut album, The Saga, one of the best Jazz albums of the year, and Stereogum named the LP one of its favorites.
He was also a songwriter on and co-producer of Esperanza Spalding’s 2019 Grammy-winning record, 12 Little Spells. His third
The Saga III, was released in 2020.
Grammy-nominee Kassa Overall is a jazz musician, emcee, singer, producer and drummer,
who melds avant-garde experimentation with hip-hop production techniques to tilt the nexus of jazz and hip-hop in unmapped directions.
In the past two years, Overall has released four critically acclaimed projects: Go Get Ice Cream and Listen to Jazz, I Think I'm Good, Shades of Flu, and Shades of Flu 2.
Overall has been working at the forefront of
jazz for two decades, touring and recording as a sideman drummer with artists as varied as
Geri Allen, Francis and the Lights and Yoko Ono. His work as a producer can be heard on albums by
Theo Croker (Escape Velocity) and Arto Lindsay (Cuidado Madame).
Pianist Aaron Parks released his Blue Note debut Invisible Cinema at the age of 25,
releases with trumpeter Terence Blanchard. The BBC declared it 'one of the great albums of 2008.'
He has released two albums on ECM including a solo piano recording and a trio record featuring Billy Hart and
Ben Street. Parks has performed and recorded with Kurt Rosenwinkel, Terri Lyne Carrington, and
Joshua Redman, among others.
His latest project, Aaron Parks Little Big, released their debut album in late 2018; the
follow-up Little Big II: Dreams of a Mechanical Man was released in May 2020 to
critical acclaim. Most recently, he was one of six composers selected to participate in Sundance
Institute’s prestigious Film Music and Sound Design Lab for 2020.
Grammy-nominated musician and Berklee College of Music graduate, Debo Ray is a leading vocalist in Boston and New York’s elite jazz and world music circles.
A composer at heart, Debo is best recognized for the unique way she expresses the music she creates.
This style – of blending theory with emotion in her performances – drove Debo to create a name for herself.
She is a spirited and cooperative collaborator, having shared stages with multiple Grammy award winners
such as Bobby McFerrin, Esperanza Spalding, Antonio Sanchez, and Terri Lyne Carrington.
Debo has performed on stages like Carnegie Hall, the Kennedy Center, and the Newport Jazz Festival,
and internationally. Debo Ray finds it her mission to spread the joy of music without
compromising skill and musical nuance.
A leading guitarist of his generation, Matthew Stevens has released two critically
albums, >Woodwork and Preverbal, as well as In Common and In Common 2 with Walter Smith III.
As a guitarist, composer and producer, Stevens has worked with Christian Scott Atunde Adjuah,
Esperanza Spalding, Terri Lyne Carrington, Dave Douglas, Quincy Jones, Tony Visconti, Glen Ballard,
Jamila Woods, Tyler Armes, Linda May Han Oh, Robag Whrume, Harvey Mason, ERIMAJ, Anna B Savage, and
Sixty. Stevens’ work has been featured in Vice Noisey, Pitchfork, The Fader, NPR, Guitar Player
Magazine and The New York Times. He lives in Harlem, NY and is a lecturer at the Peabody Conservatory
in Baltimore, MD.